Friday, November 18, 2005

The Graduate (1967)


"Just one word: plastic." "Are you here for an affair?" These lines and others became cultural touchstones, as 1960s youth rebellion seeped into the California upper middle-class in Mike Nichols' landmark hit. Mentally adrift the summer after graduating from college, suburbanite Benjamin Braddock (Dustin Hoffman) would rather float in his parents' pool than follow adult advice about his future. But the exhortation of family friend Mr. Robinson (Murray Hamilton) to seize every possible opportunity inspires Ben to accept an offer of sex from icily feline Mrs. Robinson (Anne Bancroft). The affair and the pool are all well and good until Ben is pushed to go out with the Robinsons' daughter Elaine (Katharine Ross) and he falls in love with her. Mrs. Robinson sabotages the relationship and an understandably disgusted Elaine runs back to college. Determined not to let Elaine get away, Ben follows her to school and then disrupts her family-sanctioned wedding. None too happy about her pre-determined destiny, Elaine flees with Ben -- but to what? Directing his second feature film after Who's Afraid of Virginia Woolf?, Nichols matched the story's satire of suffocating middle-class shallowness with an anti-Hollywood style influenced by the then-voguish French New Wave. Using odd angles, jittery editing, and evocative widescreen photography, Nichols welded a hip New Wave style and a generation-gap theme to a fairly traditional screwball comedy script by Buck Henry and Calder Willingham from Charles Webb's novel. Adding to the European art film sensibility, the movie offers an unsettling and ambiguous ending with no firm closure. And rather than Robert Redford, Nichols opted for a less glamorous unknown for the pivotal role of Ben, turning Hoffman into a star and opening the door for unconventional leading men throughout the 1970s. With a pop-song score written by Paul Simon and performed by Simon & Garfunkel bolstering its contemporary appeal, The Graduate opened to rave reviews in December 1967 and surpassed all commercial expectations. It became the top-grossing film of 1968 and was nominated for seven Oscars, including Best Picture, Actor, and Actress, with Nichols winning Best Director. Together with Bonnie and Clyde, it stands as one of the most influential films of the late '60s, as its mordant dissection of the generation gap helped lead the way to the youth-oriented Hollywood artistic "renaissance" of the early '70s.

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#42 - Plastics.
#63 - Mrs. Robinson, you're trying to seduce me. Aren't you?
*百大之柒唷~
*披頭四所演唱的Mr.s Robinson高居100 Moive Songs中的第六唷~
*導演Mike Nichols有許多讚的作品哦~只看過96年的The Birdcage...幽默的同志片,也有Dustin Hoffman;對了,年輕的Hoffman真的是帥帥帥,有點兒鷹勾鼻,跟我們的不老華仔有點神似;另外跟HBO合作的Angels in America (2003)網羅了Al Pacino和Meryl Streep是詮釋Tony Kushner的普立茲得獎文學作品,嘛細我超想看的影集之一,在2003年,此作品幾乎囊括了所有的影集類大獎哦~ (Best Actor - TV / Best Actress - TV / Best Miniseries or TV Movie / Best Supporting Actress TV)

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